While Omnisphere has its place in just about every genre of music and is a fantastic all-in-one solution, I find myself turning to it most for film and cinematic work. However, if Omnisphere isn’t in the budget, click here for a list of Omnisphere alternatives. If you could only have one synthesizer plugin to cover the most ground possible, Omnisphere would be clear choice. There’s a reason after all that it’s the standard in all professional studios, and it’s used heavily in film and cinematic work – even by media giants like Disney. Many people consider it to be the king of software synthesizers and you could literally spend years without discovering everything that Omnisphere 2 has to offer. While not strictly a synthesizer, Omnisphere is a huge collection of more sounds than you’ll ever be able to use. If you’ve spent much time learning about soft synths, you already knew this one was going to be on the list. Pick up these five, and you’ll have 99% of your bases covered – and can finally lay your credit card down to rest. In this article, let’s look over the true ‘must have’ synthesizer plugins that every producer should own. It is better to get just a few that completely covers all of your bases and actually take the time to learn how to create patches with them, than it is to simply keep purchasing more and more.īut with so many software synthesizer VSTs on the market, which are actually worth buying? Especially Reaktor.When it comes to virtual instruments, it is so easy to collect far more than you ever need – constantly seeking out that next plugin to add to your collection.Īs someone that’s fallen into this trap myself (and has only been able to justify it by writing these articles), let me tell you – when it comes to soft synths, less is more. They're all extremely useful and dynamic tools. All I can say is don't dismiss NI's synths without spending some time with them. I do agree with Kays 100% though that Omnisphere tends to be a fatass in the mix, whereas the other two are *generally* not as pushy. Much of that is in the hands of the synthesist. I wouldn't give up either one, and honestly I don't know that it's fair to call one "warmer" or "darker" than another. Absynth is far less immediately intuitive, but it's monstrously powerful and all it takes is a brief romp through some of the better presets (under the hood) to get a sense for the incredibly complicated structures and routings you can create. Omni and Alchemy are both truly inspiring and are joyous to just pop open and program in. Of the three, I find Alchemy strikes the best balance for me between ease of use, interface clarity/depth, and versatility. I've been using Absynth for a long time and more recently added the other two (Omni, Alchemy) to my arsenal, and I'm not sure I agree with the dismissive attitude toward NI's synths. I see plenty of complexity, but little simplicity. Maybe I'm lazy / ignorant of what else is out there, but it's the Omni paradigm of having very simple basic controls at the top level, and the Orb for quick and dirty changes, yet each area can be mined at great depth if you want to get into it. In the end, I always end up in the same place, of being more interested in Omni expansions than anything else. Zebra might be worth investigating, but again from the demos there's not been a "must have" vibe for me. in that regard Omni seems to be almost inexhaustible with some programming and starting with the soundsource browser, whereas Absynth sounds "cheaper" and less organic to me. Dunno how to get that sound in Omni / Trilian, but there again 10-1 that reflects my own shortcomings) The synth bass as it drops down has an amazing quality where you hear the individual clicks that make up the sound, but they sound cool rather than horrible. (tangential for example of my need for something else - listen to this track at 1'02. Occasionally I'd like somewhere else to turn as an alternative, but I think it's gotta be as easy to use - I just don't have the patience! I hear Zebra gets a lot of love (and, hey, Zimmer uses it almost exclusively apparently) and Alchemy too - with the latter, again I couldn't get too excited about it next to Omni, though it seemed a good product for what it is. Everything else feels like a chore now, and usually doesn't sound so good. In the end it was Omni's ease of use and diversity that won the day. FM8 seemed pretty good - nevertheless I'd sold my Komplete upgrade 2 weeks after I bought it! Reaktor was pretty much an engineering platform, and an incomprehensible one at that. Very similar to my experience, similar response to Massive too.
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